Photoshop CC 2013 One-on-One: Advanced

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Photoshop CC 2013 One-on-One: Advanced is an Advanced level study on Photography, produced by an expert, Deke McClelland. This study is an absolute pillar for an individual who needs to get better at his/her Photography expertise. It gives you a strong understanding on Photography, Raw Processing, Camera Raw, Photoshop, Photography, Raw Processing, Camera Raw and Photoshop.

The third part of the popular and comprehensive series Photoshop CC One-on-One follows industry pro Deke McClelland as he plunges into the inner workings of Adobe Photoshop. He shows how to adjust your color, interface, and performance settings to get the best out of your images and the most out of Photoshop, and explores the power of Smart Objects, Shadows/Highlights, and Curves for making subtle, nondestructive adjustments. The course dives into Camera Raw to experiment with the editing toolset there, and returns to Photoshop to discuss toning, blur, and blend modes. Deke also teaches tried-and-true methods for sharpening details and reducing noise, as well as creating quick and accurate selections with Quick Mask, Color Range, and Refine Edge commands.

Topics include:

• Adding shortcuts and adjusting preferences
• Placing and blending Smart Objects
• Transforming and warping vector objects
• Correcting for lens distortion
• Mitigating halos and enhancing contrast with Shadows/Highlights
• Working with the Curves graph
• Editing multiple images in Camera Raw
• Infusing a black-and-white image with color
• Colorizing with blend modes and opacity
• Correcting a noisy photo
• Using blur to focus the viewer’s attention
• Blending inside blend modes
• Selecting a complex image with Color Range
• Perfecting a mask with Refine Edge
• Drawing a straight-sided path outline with the Pen tool
• Converting path outlines to vector masks

Photoshop CC 2013 One-on-One: Advanced : Video Lessons

• Welcome to One-on-One1m 56s
• Loading my dekeKeys keyboard shortcuts4m 36s
• Reviewing your new custom keyboard shortcuts14m 46s
• Remapping your Macintosh OS shortcuts3m 4s
• Adjusting a few general preferences4m 3s
• Using the visual HUD color picker2m 2s
• The interface and performance settings7m 28s
• Adjusting Photoshop color settings8m 2s
• Adding shortcuts and adjusting preferences46s
• Three ways to place a Smart Object5m 2s
• Copying and pasting from Adobe Illustrator4m 9s
• Transforming and warping a vector object4m 48s
• Blending a Smart Object into a photograph3m 10s
• Blurring with a nested Smart Filter4m 57s
• Editing a Smart Object in Illustrator3m 27s
• Creating "true clones"3m 50s
• Duplicating a group of clones2m 53s
• Breaking the Smart Object link2m 53s
• Editing originals; updating clones4m 38s
• Embedding versus linking (CC 2014)7m 22s
• Removing people from a scene with Median5m 43s
• Smart Object means "indestructible"1m 38s
• Correcting for lens distortion5m 55s
• Introducing Shadows/Highlights3m 54s
• Mitigating halos with Radius values4m 19s
• Enhancing the effects of Midtone Contrast3m 18s
• Creating a "bounce" with Gaussian Blur3m 29s
• Sharpening on top of blur2m 47s
• Masking a group of Smart Filters2m 53s
• Reducing the density of a layer mask3m 38s
• Luminance meets sharpening1m 2s
• Introducing the Curves adjustment7m 36s
• Adding and editing points on a curve6m 27s
• Curves tips and tricks8m 12s
• Correcting a challenging image6m 33s
• Selecting and darkening highlights4m 39s
• Neutralizing colors; smoothing transitions6m 6s
• The new automatic Curves function6m 55s
• How the Curves graph works2m 40s
• Opening and editing multiple images6m 3s
• Previewing and applying your changes (CC 2014)6m 41s
• Correcting white balance4m 8s
• The revamped Exposure controls8m 9s
• Working with archival Camera Raw images6m 41s
• Retouching with the Spot Removal tool4m 9s
• Using the Graduated Filter tool4m 52s
• Painting edits with the Adjustment Brush7m 53s
• Tone curves (and why you don't need them)6m 3s
• Straighten, crop, and geometric distortions5m 26s
• Auto-upright and manual lens corrections8m 1s
• Vignette, chromatic aberration, and fringe6m 55s
• Selective hue, saturation, and luminance8m 19s
• Working with JPEG and TIFF images6m 36s
• Camera Raw Smart Objects6m 10s
• The Camera Raw filter and Radial Filter tool7m 34s
• Editing Camera Raw images from Bridge4m 24s
• Photoshop's digital darkroom2m 28s
• Creating a professional-quality sepia tone4m 18s
• Introducing the Gradient Map adjustment5m 42s
• Loading a library of custom gradients3m 48s
• Creating a custom quadtone5m 48s
• Colorizing with blend modes and Opacity4m 6s
• Creating a faux-color, high-key effect7m 25s
• Infusing black and white with color1m 23s
• Introducing the Reduce Noise filter7m 29s
• Correcting a noisy photo5m 33s
• Smoothing over high-contrast noise5m 50s
• Protecting details with an edge mask4m 52s
• Adjusting overly saturated shadows3m 35s
• Correcting with High Pass and Lens Blur3m 45s
• Masking blur and sharpen layers6m 42s
• Creating texture by adding noise5m 28s
• The Camera Raw Detail panel7m 8s
• Correcting noise and detail in Camera Raw8m 10s
• Adding noise grain and vignetting effects6m 47s
• Noise isn't all bad1m 28s
• Creating a depth-of-field effect with Field Blur4m 46s
• Adjusting your Field Blur settings5m
• Editing and exporting a Field Blur mask9m 24s
• Adding a synthetic light bokeh6m 15s
• Using the Selection Bleed option6m 42s
• Creating a radial blur with Iris Blur6m 31s
• Creating "fake miniatures" with Tilt-Shift4m 54s
• Combining multiple Blur Gallery effects3m 5s
• Adding a slow flash effect with Path Blur (CC 2014)9m 30s
• Adding elliptical motion with Spin Blur (CC 2014)6m 12s
• Why blur focuses your attention1m 27s
• Using the Dissolve mode9m 47s
• Multiply and the darken modes8m 30s
• Screen and the lighten modes8m 10s
• Cleaning up and integrating a bad photo6m 38s
• Blending inside blend modes6m 55s
• Overlay and the contrast modes6m 53s
• A few great uses for the contrast modes9m 7s
• Difference, Exclusion, Subtract, and Divide5m 5s
• Capturing the differences between images4m 18s
• Hue, Saturation, Color, and Luminosity4m 45s
• Blend mode shortcuts6m 21s
• The Fill Opacity Eight8m 57s
• Using the luminance-exclusion slider bars8m 8s
• Blending layers with (basic) math1m 16s
• Introducing the Color Range command7m 24s
• Selecting a complex image with Color Range5m 49s
• Refining a selection in the Quick Mask mode7m 4s
• Viewing a mask with or without its image4m 24s
• Painting directly inside an alpha channel5m 39s
• Correcting fringes around a masked layer8m 5s
• Turning a layer into a knockout4m 41s
• The best automatic selection functions1m 14s
• Laying down a base layer mask6m 49s
• Introducing the Refine Edge/Mask command7m 57s
• Edge detection and Smart Radius4m 42s
• Using the Refine Radius tool7m 31s
• The transformative power of Refine Edge3m 37s
• Perfecting a mask with overlay painting10m 58s
• Combining Quick Selection with Refine Mask10m 37s
• Bolstering and integrating hair6m 4s
• Creating a mask with Select > Focus Area (CC 2014)8m 10s
• Cleaning up a jagged Focus Area mask (CC 2014)6m 46s
• Real-world compositing (CC 2014)10m 2s
• The best automatic selection enhancements1m 28s
• Pixel-based masking versus the Pen tool6m 45s
• Drawing a straight-sided path outline6m 59s
• Moving, deleting, and adding anchor points6m 10s
• Dragging control handles to modify curves5m 27s
• Converting a path outline to a vector mask5m 35s
• Customizing a geometric shape5m 53s
• How to position points and control handles7m 7s
• Drawing smooth points with the Pen tool8m 7s
• Duplicating and scaling a vector mask5m 21s
• Cusp points and the Rubber Band option6m 51s
• Setting anchor points in the pasteboard6m 8s
• Using the Convert Point tool6m 43s
• Tracing an image point by point1m 50s
• Until next time57s

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Categorised in: Camera Raw, Photography, Photoshop, Raw Processing