mocha 4 Essential Training

mocha 4 Essential Training

mocha 4 Essential Training is an Intermediate level course on 3D + Animation, crafted by the creator, Ben Brownlee. This course is an absolute foundation for an individual who needs to sharpen his/her 3D + Animation expertise. It gives you a strong understanding on 3D + Animation, Compositing, Motion Graphics, Photography, Video, Visual Effects, mocha, 3D + Animation, Compositing, Motion Graphics, Photography, Video, Visual Effects and mocha.

Free Download - mocha 4 Essential Training
Author Ben Brownlee
Publish Date 9/21/2015
Skill Intermediate
Duration 9h 46m
Topic 3D + Animation
Video Tutorials 101
Last Update N/A

mocha 4 Essential Training is designed to get you working quickly with Imagineer Systems’s powerful planar tracking tool. This project-based course teaches the core ideas that drive the entire mocha family of products, including mocha AE CC, mocha AE, and mocha Pro. Throughout this training, you will become more confident in when and how you use mocha to solve different challenges. Ben Brownlee covers the core modules, preferences, and useful keyboard shortcuts in mocha, and then dives into different planar tracking techniques: match moving, 3D camera solves, custom shape creation, rotoscoping, and more. He also offers a quick start guide and troubleshooting tips, and reviews the process for exporting mocha tracking data to programs such as After Effects, Apple Motion, Final Cut Pro, and Boris CC.

Topics include:

  • Understanding the core modules in mocha
  • Setting up preferences and organizing projects
  • Understanding the planar tracker
  • Using tracking data for different tasks
  • Rotoscoping fundamentals
  • Creating complex mask shapes efficiently
  • Correcting for lens distortion in your footage
  • Generating a 3D camera solve
  • Exporting tracking data from mocha

mocha 4 Essential Training : Video Lessons

  • Welcome43s
  • Using the exercise files1m 41s
  • Creating the first projects2m 34s
  • Creating the first tracks4m 47s
  • Planar tracking tricks7m 6s
  • Checking and fixing the track10m 24s
  • Timeline tricks: In and out points on projects and layers2m 16s
  • Tracking objects that move offscreen with unlink tracking4m 49s
  • Creating a fast rotospline6m 28s
  • Using the data in After Effects9m 54s
  • Introducing the different versions of mocha1m 57s
  • mocha v4 user interface changes1m 30s
  • Core modules: Clip1m 42s
  • mocha v4 project setup and changes to the Clip module3m 34s
  • Core modules: Track1m 27s
  • Core modules: AdjustTrack1m 39s
  • Lens Distortion (mocha AE & mocha Pro only)1m 18s
  • 3D Camera Solver (mocha AE & mocha Pro only)1m 41s
  • Additional features included with mocha Pro3m
  • Launching mocha through After Effects6m 58s
  • Setting up preferences: Output settings6m 39s
  • Setting up preferences: System settings3m 45s
  • Setting up preferences: Clip and Logging settings4m 55s
  • Starting a new project5m 37s
  • Preparing for tracking in the Clip module7m 32s
  • Organizing rotospines with layer controls5m 39s
  • Customizing keyboard shortcuts in mocha V42m 42s
  • Why use planar tracking?8m
  • Choosing the right place to track6m 41s
  • What the planar tracker does not track2m 15s
  • Setting the right tracking parameters9m 10s
  • Tracking luminosity vs. color channels3m 10s
  • What is the Surface?6m 43s
  • Tracking scale7m 12s
  • Working with track mattes to track complex shapes10m 22s
  • Tracking rotation10m 24s
  • When to use Shear or Perspective6m 57s
  • What to do first when things go wrong6m 25s
  • When to use the Adjust Track module2m 15s
  • Using the Adjust Track module9m 49s
  • Using the viewer helpers4m 59s
  • What to do when objects go offscreen6m 16s
  • The difference between visible layers and active layers4m 27s
  • Dealing with issues with interlaced footage7m 48s
  • Picking the correct Corner Pin export9m 15s
  • Exporting transform data for match-moving8m 50s
  • Exporting transform data for stabilization5m 58s
  • Updates to using tracking data in After Effects6m 4s
  • Troubleshooting "bad" tracking data3m 49s
  • Finishing touches and adding motion blur7m 23s
  • Using Motion Corner Pin data7m 58s
  • Exporting Motion transform data4m 23s
  • Exporting mocha data to Final Cut Pro 712m 44s
  • How to work around the limitations of Final Cut Pro 7's animation properties9m 35s
  • Using mocha motion tracking with BCC Corner Pin9m 15s
  • Using mocha transform data with BCC Lens Flare7m 59s
  • Introduction to rotosplines2m 31s
  • Setting up your layout for rotoscoping4m 28s
  • When to use X-splines4m 33s
  • When to use Bezier splines6m 26s
  • Bezier Spline Point Types - Corners, Linear, Smooth2m 3s
  • Connecting shapes to tracking data5m 50s
  • Simplifying roto work with planar tracking11m 2s
  • When to use multiple splines on a single layer4m 33s
  • Checking rotosplines with the Matte view2m 54s
  • Breaking down the task2m 10s
  • Creating the main track and offset tracking6m 6s
  • Using track mattes for difficult tracks5m 36s
  • Breaking down complex shapes6m 50s
  • Connecting and organizing rotosplines4m 38s
  • Mixing shape types on a layer5m 25s
  • Animation and keyframe controls10m 18s
  • Using the Join Layers tool6m 24s
  • Getting it right with Edge Properties8m 54s
  • Taming the power of the berkey5m 50s
  • Bringing shapes into After Effects7m 41s
  • Handling complex mask shapes11m 6s
  • Handling complex motion blur5m 53s
  • Rendering shape data (mocha Pro only)6m 30s
  • Tracking in a different color space9m 38s
  • When to use Align Surface9m 28s
  • Exporting shape data to Premiere Pro CC 20144m 59s
  • Why it is important to correct for lens distortion5m 36s
  • Setting up the distortion model7m 44s
  • Using a grid6m 1s
  • Using the undistorted data in mocha3m 34s
  • How to use the distortion data in After Effects11m 11s
  • When should you use mocha's Camera Solver?1m 43s
  • Identifying the type of camera movement6m 3s
  • Picking the right surfaces: Pan and Tilt12m 45s
  • Picking the right surfaces: Zoom6m 7s
  • Picking the right surfaces: Parallax camera7m 59s
  • Exporting and checking the 3D camera data in After Effects11m 41s
  • Troubleshooting and limitations of the Camera Solver6m 11s
  • Setting up a stereoscopic 3D project3m 58s
  • Tracking S3D material4m 5s
  • Rotoscoping S3D footage5m 31s
  • Exporting stereoscopic 3D track and shape data to After Effects5m 17s
  • Next steps1m 13s

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