DaVinci Resolve Guru: Color Correcting Log Raw and Flat Footage is an Intermediate level tutorial on Photography, created by the creator, Patrick Inhofer. This tutorial is an absolute pillar for anyone who needs to excel in his/her Photography skills. It provides you a thorough grip on Color Correction, Photography, Video, DaVinci Resolve, Color Correction, Photography, Video and DaVinci Resolve.
In this installment of DaVinci Resolve Guru, explore the concepts of log and raw footage. Colorist Patrick Inhofer underscores the disparity between the two recording methods and shows you how to tell the difference when using DaVinci Resolve. This course also shows you how to set your raw settings for a project and individually, shot by shot. Explore the concept of color correcting flat footage shot on a DSLR and how that differs from shooting log and raw.
Once you’re familiar with the differences between log, raw, and flat recordings, explore two different methods for color correcting that footage. First, Patrick shows you how to color correct manually, using the traditional tools in DaVinci Resolve. Then, he explains how to use lookup tables (LUT), and discusses LUT strengths and limitations.
Wanted to do a test with the Film Convert plugin for Davinci Resolve to see if it's more efficient workflow. I also added a 2.35:1 crop for fun while I was at it.
Here is the new test of my custom S-log profile to use on Nikon Z6. This Log profile is recording 8-bit internally. I also created some LUT's to adjust to Rec709.
Please watch: "Morning Jolt #1 - Fuji X-T3 less than $1599?" https://www.youtube.com/watch?v=gDEVF6p8QpA --~-- On this episode I show how to prep your ...
Categorised in: Color Correction, DaVinci Resolve, Photography, Video
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